![]() ![]() For the script has a feeling of authenticity. TORRENT DANGEROUS LIAISONS BROADWAY MOVIEIf it weren't for the moralistic ending deemed necessary by popular culture, the movie could be a handbook of seduction. (Even if the nudity is tame by today's standards.) Unlike most leads, Valmont doesn't just make girls swoon by appearing in frame. ![]() On-screen he can portray sensuality with realism and accuracy. He was known off-screen for his sensual and avant-garde lifestyle. He manages to reduce the bitching to a grand dramatic flourish, not a raison d'etre. A book that has been filmed many times, this early Vadim version is not only one of his best movies. Or even help each other plan the improvisations. Then report back to the other affectionately. Juliette and Valmont enjoy those variations. There are fixed parameters in jazz, but opportunities for wide variation in between. "Love", as the English poet once said, "should be a strictly physiological matter, with just that amount of natural emotion that goes with it." Think of a jazz musician - and Director Roger Vadim obviously does this film is scored by Thelonius Monk. Only to return to the deeper affection they have for each other. Throwing themselves into every passionate encounter with finesse. They have the emotional detachment of swingers. Can you think of a time when you went out "on the pull"? Where is that emotional fine line - between the little graces of life that make it so much fun and getting deep in over your head? For Juliette and Valmont, seduction is salesmanship. ![]()
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